Matt JohnsonMusician (The The) http://www.thethe.com
"Many of my albums were recorded at the legendary Garden Studio in London, including Soul Mining. In fact I loved this studio so much I bought and owned it from 1991 until its closure at the end of 2012. One of the best things about this studio was it's unique Andy Munro designed live room and I'm delighted to confirm DrumDrops® have done a wonderful job at capturing this room with their new Mapex kit. Not only does this new instrument sound great but I also love the user friendly retro-flavoured interface they've created too."
Paul Win WinstanleyEngineer - Producer http://www.paulwinaudio.com
"The Mapex's tone and punch has been amazingly captured and the level of detail in each sample is exemplary. More than capable of handling the most complex of programming demands. Big fan."
Bedroomproducersblog.comApril 2014 Written by: Tomislav Zlatic
If you’ve been reading BPB for a while now, you’ve probably seen our earlier reviews of Drumdrops sample libraries. Our 1963 Premier Outfits 54 Kit and Rogers Big R Dub Kit reviews go rath...
If you’ve been reading BPB for a while now, you’ve probably seen our earlier reviews of Drumdrops sample libraries. Our 1963 Premier Outfits 54 Kit and Rogers Big R Dub Kit reviews go rather in-depth in regards of explaining the Drumdrops custom Kontakt 5 interface and its features. Please refer two those two articles if you’re interested in the basic features of the Kontakt 5 interface which was included with previously released Drumdrops drum kit offerings. We’ll be keeping our main focus on the brand new Groove Player and Step Sequencer components in the Kontakt 5 section of this Mapex Heavy Rock Kit review.
The kit which was used for the creation of this sample library is a Mapex Saturn Heavy Rock Kit. The recording process took place at Garden Studios in London. The drum kit belongs to Jason Bowld of Pitchsifter fame, who also toured with bands such as Bullet For My Valentine and Killing Joke, among others. Jason was hired as the drummer during the recording sessions for this sample library and all included MIDI grooves were performed by him.
Jason’s drum kit which was used for the recording consists of a Mapex Saturn 22” kick drum, two Mapex rack toms (a 10” x 8” and 12” x 9”) and a 16” x 16” Mapex floor tom. Three different snare drums were sampled:
Mapex Black Panther hammered phosphor Bronze 14” x 6.5”
Mapex Black Panther 14”x 5”
Mapex Machete 14” x 6.5”
The kit was paired up with Paiste Sound Edge 14” hats, a Paiste Dry Heavy 21” ride, a Paiste Twenty Metal 18” crash, a Paiste Metal China 18” crash, a Paiste Twenty Custom 19” crash and a Paiste Twenty Custom 20” crash.
The recording process was handled by Martyn ‘Ginge’ Ford from Nott-In-Pill studios. He produced and mixed albums for numerous rock and metal bands including Bullet For My Valentine, Slipknot, As I Lay Dying, Trivium and Funeral For A Friend. The recording was done in the London based Garden Studios, as one of the last projects which took place there before the studio was demolished in autumn 2013.
Drumdrops usually deliver they drum kits in three different tastes – the Kontakt 5 Pack, a smaller Multi-Velocity Pack, and the lightweight Single Hits Pack. This time the kit is available in two more flavors, with the addition of the Drum Replacement pack and the All Samples Pack which only contains individual WAV files.
Kontakt 5 Pack is the flagship version of the Mapex Saturn Heavy Rock Kit, featuring 7119 drum samples of 24-bit quality packed in a lovely Kontakt 5 user interface developed by Channel Robot. The Kontakt 5 instrument is delivered in two flavors – the Full version loads all the samples, while the Lite version of the instrument loads a smaller sample set which is a nice option for people who work on a laptop or a slower desktop machine. Please note that the full version of Kontakt 5 is required in order to use the instrument without limitations.
We’ve already described the basic functionality of the Kontakt 5 interface used by Drumdrops in our 1963 Premier Outfits 54 Kit review, so take a look at that article before you continue reading. The Mapex interface features all the good stuff from the previous releases, with the addition of the brilliant Groove Player, along with a Step Sequencer and a handy Groove Slicer.
The Groove Player features a set of 450 drum loops in MIDI format, performed by Jason Bowld. The included loops cover three different time signatures and a range of different tempo settings. You can preview the loops inside the Kontakt interface by clicking the little play button next to the desired loop. Once you’ve found the perfect loop, simply drag it to your DAW’s sequencer to add it to your current tune. This is a great solution for people who don’t have the time to manually program drum loops, or if you simply prefer using pre-made drum tracks.
Responsible for taking the Groove Player to the next level is the built-in Groove Slicer, which automatically cuts each loaded drum loop into 32 slices when fired up. The slices can be re-arranged in a different order, or triggered individually using MIDI notes, in two different playback modes. The Groove Slicer comes with a nice collection of pre-made patterns, which you can quickly load up and add different variations to a given drum loop. This feature significantly expands the potential of the Groove Player, making it easy to twist and mangle the provided collection of 450 drum loops which come with the product.
The Kontakt 5 interface which comes with the Mapex Saturn Heavy Rock Kit also introduces the brand new Mic Blend page, which allows the user to set the desired microphone balance for each element of the kit. For example, on the kick drum channel we can specify the desired balance of the sub kick microphone and the standard close microphone. In theory, this feature makes it possible to take out any desired channel from the overheads or the room microphones, which allows the user to drastically change the sound of the drum mix.
Once again, the built-in mixer comes with a nice library of mix presets which have been crafted by experienced mix engineers. The Mapex kit comes with 13 different mix presets provided by Billy Halliday, Joe Hirst, Paul Winstanley, Matt Foster, Ben Thackeray, and Adrian Breakspear. The included mix presets can be used as a good starting point while preparing the perfect drum mix for your track.
The Multi-Velocity Pack is the lighter (and cheaper) version of the kit, with 481 samples and mappings for all of the most popular sampler instruments. Although it doesn’t include the full-blown Kontakt 5 interface, it still contains fully functional Kontakt 5 patches, along with Battery, EXS24, Ableton Drum Rack, Maschine, Impact (Studio One), Geist, iDrum, and Reason Refill formats. It also supports different MIDI mappings, so if you’ve used to playing BFD, Addictive Drums, Superior Drummer, or V-Drums, simply pick the correct mapping and you’ll feel right at home.
This version of the kit features a smaller collection of samples with up to 16 velocity layers per articulation, but makes up for that with the added support for a broad range of different samplers and drum machines. It is a good choice for producers who don’t use Kontakt, or who don’t require a full-blown Kontakt interface for their projects.
The cheapest version on offer is the Single Hits Pack, which contains 117 samples with up to 3 velocity layers per articulation. It is a featherweight version of the Mapex Saturn Heavy Rock Kit, providing a good option for producers who don’t require detailed round robin and velocity variations. It can also work very well for layering on top of other drum sounds.
The Single Hits Pack supports the same arsenal of samplers and drum machines as the Multi-Velocity Pack. Due to its small footprint, it can also be used as a portable sample kit and kept on a flash drive in case you need to take your drum sounds to another studio for example.
The Drum Replacement Pack was designed for people who use Slate Trigger V2, Drumagog or DrumXchanger for drum replacement. It contains kick drum, snare and tom samples, with a different amount of velocity layers depending on the format. You’ll find more info about the included content and formats on the Drum Replacement Pack page.
The All Samples Pack features (almost) the entire Mapex Saturn Heavy Rock Kit sample collection in 24-bit WAV format. It contains 2487 samples from the Kontakt 5 version of the pack (with up to 16 velocity layers and 3 round robin variations) and 481 samples from the Multi-Velocity Pack. The difference between the two is that the samples from the Kontakt 5 Pack come with separate microphones, while the Multi-Velocity Pack samples come with all the microphones mixed together. No mappings are included in this version of the product, just a collection of clean WAV files.
If you’re looking for a full featured virtual drum instrument for rock and metal music production, the Kontakt 5 version of the Mapex Heavy Rock Kit is definitely a great choice. Three different snares and thirteen factory mix presets provide loads of versatility right out of the box. The built-in full blown virtual mixer expands the potential of this instrument dramatically, if you take the time to tweak the drum kit to your liking. The included library of MIDI grooves performed by Jason Bowld of Pitchsifter will make your life easier if you’re not a drummer or simply not very fond of programming drums via MIDI.
People who don’t use Kontakt will get some great sounding heavy drum sounds out of the Multi-Velocity Pack and Single Hits Pack versions of the Mapex kit, at a reduced price. Although the fully featured Kontakt 5 version is highly recommended due to its virtual mixer and groove library, these two lighter versions of the kit provide a great alternative in case you’re using a different sampler.
I would also recommend this kit for rock/metal producers who need good sounding acoustic drum samples for layering on top of their drum recordings. The Drum Replacement Kit is the perfect choice for that particular task, in case you’re using one of the drum replacement software tools supported by this version of the pack.
http://www.soundonsound.com/sos/aug14/articles/sample-shop-0814-04.htmAugust 2014 Written by: Tom Flint
So far in the pages of SOS we have looked at two Drumdrops products — the Vintage 1963 Premier kit and the Rogers Big R Dub Kit — both of which can be purchased either as Kontakt instrumen...
So far in the pages of SOS we have looked at two Drumdrops products — the Vintage 1963 Premier kit and the Rogers Big R Dub Kit — both of which can be purchased either as Kontakt instruments, a series of multi‑velocity files backed up with sampler templates or, for the cost‑conscious, as single hits (with three velocities). The Mapex Heavy Rock Kit is available in the same three formats, but Drumdrops have added the Drum Replacement Pack (containing templates for Slate Digital Trigger v2, Drumagog 5 and DrumXchanger) and the All Samples pack, which is aimed at customers who want to build their own sampler templates using 24‑bit WAVs.
The Kontakt option is the most expensive and fully featured of the five. Its custom interface is based around a fairly comprehensive nine‑channel mixer offering built‑in dynamic processors and close, overhead and room mic ratio controls for each channel, not to mention a whole bunch of effect options spread across two send buses.
For the most part, the mixer is the same as it was on the previously reviewed Drumdrops instruments, and it retains the Settings page on which articulations can be tweaked and the Kit page where individual drum-tuning and velocity-curve adjustments are found. In addition to this, the interface has been given more functionality via a groove player with its own library and a 32‑step sequencer, collectively helping Mapex compete with rival products from the likes of Native Instruments. In short, Mapex has all the sounds and tools needed for creating complex drum sequences.
Rock drum sounds vary hugely, so it is best to think of Mapex as a generic tool rather than a definitive solution to every heavy rock problem. The overall kit sound isn't as hard and aggressive as I was expecting it to be, and derives its power from dark, full‑bodied sounds as oppose to potentially thin, ear‑splitting transient hits. The sampling has been done very cleverly so that the room sound aids realism, but does not aversely colour the kit.
There are three snare options: namely Bronze, Panther and Machete, which differ from one another in terms of tuning. Most of the other elements of the kit can't be swapped for alternatives, but being able to control the relative levels of the close, overhead and room mics makes everything reasonably customisable.
Not everyone will want to use the new groove player for their compositions, but it is a great tool for testing out the kit. The sequencer is also a great tool, and a fantastic addition to Drumdrops' interface. It is both easy and fast to operate and also includes a number of very handy features, enabling its users to do things like copy patterns from one element of the kit to another with just two mouse clicks, for example.
In summary, Mapex includes a lot of functionality for a lot less money than some of its competitors, and still sounds very good. Although it is branded as a heavy rock kit, its sound is appealing enough to work in a variety of situations, and the sequencer is flexible enough to allow very subtle programming. Tom Flint